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“Scroll down to the end of the article to listen to music.”

Introduction

I remember the first time I heard Toby Keith’s “My List” on the radio – I was sitting in weekend traffic, stressed over errands and deadlines. But then the chorus came on, and it felt like a reminder from the universe to breathe, to cherish the little things I was overlooking. There’s something timeless about a song that stops you in your tracks and makes you rethink your priorities.

About The Composition

  • Title: My List
  • Composer: Tim James and Rand Bishop
  • Premiere Date: January 2002
  • Album/Opus/Collection: Pull My Chain
  • Genre: Country

Background

“My List” was released as the third and final single from Toby Keith’s 2001 album Pull My Chain. Written by Tim James and Rand Bishop, the song quickly resonated with listeners across the country. It topped the Billboard Hot Country Singles & Tracks chart, marking Keith’s seventh Number One hit. The song stands out in Keith’s repertoire because, rather than focusing on humor or bravado, it delivers a heartfelt message about slowing down and focusing on what truly matters in life. Released in the wake of the September 11 attacks, the song’s message of appreciating family, love, and the simple joys of life found an even deeper resonance.

Musical Style

Musically, “My List” is built on a gentle, mid-tempo country arrangement. It features soft guitar strumming, understated percussion, and subtle steel guitar accents that support, rather than overpower, the vocal line. Keith’s delivery is restrained and sincere, letting the lyrics shine. The song relies on a classic verse-chorus structure, with an emotional build that culminates in the repeated reminder that life is about more than just ticking off tasks.

Lyrics/Libretto

The lyrics of “My List” tell the story of a man who realizes that, instead of being consumed by his to-do list, he should focus on the people and moments that give his life meaning. He vows to put aside chores and deadlines in favor of spending time with loved ones, watching his children, and enjoying life’s simple pleasures. The song’s central message – that we should prioritize what truly matters over the relentless busyness of daily life – is universal, and it continues to resonate with listeners across generations.

Performance History

“My List” was a major hit upon its release, reaching Number One on the country charts in 2002. It became a staple of Toby Keith’s live shows and a fan favorite, often eliciting emotional responses from audiences. The song has been included in numerous country music compilations and continues to receive airplay on country radio stations, particularly around reflective times of the year such as New Year’s or Thanksgiving.

Cultural Impact

Beyond its chart success, “My List” tapped into a cultural moment when many Americans were re-evaluating their priorities in the wake of national tragedy. It has been used in various media, including television and tribute videos, to underscore themes of family, remembrance, and the importance of personal connections. The song’s message has influenced countless listeners to slow down and appreciate the here and now, cementing its place as more than just another radio hit.

Legacy

“My List” remains one of Toby Keith’s most beloved ballads. Its relevance endures because its message is timeless: in a world that often pushes us to go faster and do more, sometimes the bravest and most meaningful thing we can do is to pause. Whether played at a live show or heard unexpectedly on the radio, the song continues to touch hearts and remind listeners to cherish the things that matter most.

Conclusion

Personally, “My List” always feels like a gentle nudge to re-center my life when I start to get caught up in the hustle. If you’ve never sat down and really listened to it, I encourage you to seek out a recording or a live performance – maybe even make it the first thing on your own list today. Toby Keith’s tender delivery, combined with the simple but profound message of the song, offers a musical reminder that some things are worth pausing for.

Video

Lyrics

Under an old brass paperweight
Is my list of things to do today
Go to the bank and the hardware store
Put a new lock on the cellar door
I cross ’em off as I get ’em done
But when the sun is settled
There’s still more than a few things left
I haven’t got to yet
Go for a walk, say a little prayer
Take a deep breath of mountain air
Put on my glove and play some catch
It’s time that I make time for that
Wade the shore and cast a line
Look up an old lost friend of mine
Sit on the porch and give my girl a kiss
Start livin’, that’s the next thing on my list
Wouldn’t change the course of fate
The cutting the grass just had to wait
‘Cause I’ve got more important things
Like pushin’ my kid on the backyard swing
I won’t break my back for a million bucks
I can’t take to my grave
So why put off for tomorrow
What I could get done today
Like go for a walk, say a little prayer
Take a deep breath of mountain air
Put on my glove and play some catch
It’s time that I make time for that
Wade the shore, cast a line
Look up an old lost friend of mine
Sit on the porch and give my girl a kiss
Start livin’, that’s the next thing on my list
Raise a little hell, laugh ’til it hurts
Put an extra five in the plate at church
Call up my folks just to chat
It’s time that I make time for that
Stay up late, and oversleep
Show her what she means to me
Catch up on all the things I’ve always missed
Just start livin’, that’s the next thing on my list
Under an old brass paperweight
Is my list of things to do today

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HE WAS ON THE ROAD, TALKING TO HIS WIFE, WHEN HE SAID THE WORDS THAT WOULD TURN INTO A SONG ABOUT A MAN DYING UNDER A BRIDGE. The road had become part of the job. Airports, buses, hotel rooms, soundchecks, another city before the last one had settled in his mind. He tried to reassure her the way people on the road often do. “This is temporary,” he told her. “I’m almost home.” The phrase stayed with him. Later, Morgan and songwriter Kerry Kurt Phillips built a different story around it. Not a road song. Not a love song. A song about a homeless man lying under a bridge, cold and tired, dreaming of a woman named Jenny and a place he can finally reach. “Almost Home” did not sound like a normal radio calculation. The man in the song was not drinking in a bar, driving a truck, or trying to get a girl back. He was dying. The final turn was quiet: the police officer finds him in the morning, but the man has already gone where he believed home really was. Morgan recorded it for his 2003 album I Love It. The song became his breakthrough. It reached the country Top 10, won BMI Song of the Year recognition, and introduced a different side of Craig Morgan to listeners. They knew the soldier. They knew the working-class singer. Now they heard him telling a story about someone most people passed without seeing. Years later, Jelly Roll told Morgan that “Almost Home” had helped him through jail. That may be the strangest part of the song’s life. It began with a husband on the road trying to reassure his wife. It became a dying man’s last dream. Then it reached people in places Craig Morgan could not have imagined when he first said the words into a phone.

NINE YEARS AFTER COUNTRY RADIO LAST TOOK RANDY TRAVIS TO NO. 1, HE CAME BACK WITH A SONG ABOUT THREE CROSSES BESIDE A HIGHWAY. By the early 2000s, Randy Travis was no longer the new man changing Nashville. The years of “On the Other Hand,” “Forever and Ever, Amen,” and “Deeper Than the Holler” were behind him. Country radio had moved toward younger voices, bigger production, and songs built for a different kind of audience. Randy was still recording, still touring, still carrying the deep baritone that had helped bring traditional country back in the 1980s. But his last No. 1 had come in 1994. Then he began making gospel records. It was not a sharp break from the Randy Travis people already knew. Faith had always been close to the way he sang. The voice was still slow, low, and steady. But the songs came from a different room now — less about barstools and broken promises, more about judgment, mercy, and the things people carry after the road has gone dark. In 2002, he recorded “Three Wooden Crosses.” The song followed four strangers on a midnight bus bound for Mexico: a farmer, a teacher, a preacher, and a woman nobody in the story expected to matter most. Then an eighteen-wheeler came through the darkness. Three people died. Three crosses were left beside the highway. But the song did not end at the wreck. The preacher handed his bloodstained Bible to the woman who survived. Years later, her son stood in a church holding that same Bible, telling the story of the night that changed his mother’s life. Randy did not sing it like a sermon. He sang it like a country story people had to sit still and hear all the way through. The record kept climbing. In May 2003, “Three Wooden Crosses” reached No. 1 — Randy Travis’s first chart-topper in eight years and the last No. 1 of his career. It later won CMA Single of the Year, while the album Rise and Shine earned Grammy recognition. For a singer country radio had started treating like part of another era, the comeback did not come with a flashy new sound. It came with a bus, a dark highway, and three crosses standing where four people had been.

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