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Rory Feek – “It’s Christmas Time”

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Introduction

Hey, have you heard “It’s Christmas Time” yet? I stumbled upon it the other day, and it’s been on repeat ever since. The moment it starts, you can feel that festive spark—it’s like the song wraps you in a cozy blanket of holiday cheer. What I love most is how it perfectly captures that mix of excitement and nostalgia we all feel when December rolls around.

The melody is just so uplifting, with jingling bells and a chorus that’s impossible not to sing along to. But it’s the lyrics that really get me. They remind me of those simple, heartwarming moments—like decorating the tree with family or watching snowflakes fall outside your window. It’s amazing how a song can bring back so many cherished memories and make you feel connected, even to people you’ve never met.

I read somewhere that the artist wrote it based on their own childhood Christmases, and you can totally tell. There’s this genuine warmth and sincerity that makes it stand out from other holiday songs. It’s not just about the presents or the hustle and bustle; it’s about togetherness and appreciating the little things.

Honestly, if you’re looking to get into the holiday spirit, this song is a must-listen. It might just become your new favorite tradition!

Video

Lyrics

It’s Christmas time again this year
Can’t believe it’s already here
Ain’t bought a single thing, o dear
I’m so far behind
I like to get my shopping done before
The lines get long in all the stores
I’ll spend more than we can afford
But hey it’s Christmas time
It’s Christmas time again you see
Lets go pick out the perfect tree
Is it leaning left or is it just me
Ah, honey looks just fine
We’ll hang the tinsel, string the lights
These ornaments will take all night
It’s a lot of work but that’s alright
It’s Christmas time.
We’ll eat too much and then we’ll swear again
That come New Year, we’re gettin in
The best shape that we’ve ever been
But we know we’re lying
So pass the pie and one more roll
And pass me that remote control
Ah, lookey’ here, I love this show
It’s Christmas time
It’s Christmas time, who’s at the door
I’m sure there’s room for 7 more
We’ll make some pallets on the floor
That’ll be just fine
The turkeys done, pull up a chair
Grab a hand, lets say a prayer
For all those soldiers over there
You know it’s Christmas time
We’ll wrap the gifts in green and red
You kids get back up in your bed
For Santa wont come in his sled
He’ll just fly right by
Then we’ll wake up in an hour or two
To mommy look, this ones for you
Oh I love it hun, I really do
It’s Christmas time
It’s Christmas time again, you know
It hit me just an hour ago
It ain’t about mistletoe
Lets keep that in mind
It’s about the star that led the way
The baby child born that day
It’s cause of him, we all say
It’s Christmas time

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BUCK OWENS HADN’T HAD A No. 1 COUNTRY HIT IN MORE THAN FIFTEEN YEARS. THEN DWIGHT YOAKAM ASKED HIM TO SING ONE OLD BAKERSFIELD SONG — AND PUT HIM BACK ON TOP. By the mid-1980s, Buck Owens no longer needed another hit to prove anything. He had already built one of the defining catalogs in country music, taken the Bakersfield sound national, recorded with the Buckaroos, and spent years on television through Hee Haw. But his recording career had faded badly during the 1970s. By the time a younger Kentucky-born singer named Dwight Yoakam started making noise in Los Angeles, Buck was largely outside the center of country radio. Yoakam was not. His 1986 debut Guitars, Cadillacs, Etc., Etc. helped bring hard-edged honky-tonk back into mainstream country. And the sound he was reviving owed a clear debt to Owens. Yoakam spoke openly about Buck’s influence and helped introduce Bakersfield country to listeners who had not been around for its original run. Then Yoakam reached backward. He wanted to record “Streets of Bakersfield,” a song Buck had already cut years earlier. This time, Yoakam asked Buck to sing it with him. Owens agreed. The pairing worked because neither man tried to make the record sound like a museum piece. Buck’s voice sat beside Dwight’s as if the fifteen-plus years between their chart peaks were not there. Released in 1988, “Streets of Bakersfield” went all the way to No. 1. It gave Dwight another major hit. For Buck Owens, it was something else: his first country chart-topper since the early 1970s, and a return to the very radio audience that had moved on from him years before. The success pulled Buck back into recording for a time. New albums followed, including Hot Dog! and Act Naturally. But the bigger consequence had already happened. A younger artist had not simply covered the Bakersfield sound. He had gone back to one of the men who built it, put him beside him at the microphone, and carried him back to No. 1.