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DEFINITIONS

“Agreement” denotes these Terms and Conditions and the Privacy Policy and other documents provided to you by the website.

“We,” “us,” and “our” are references to countrysongs.levie.com.vn

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” Website” shall mean and include countrysongs.levie.com.vn and any successor Website of the Company or any of its affiliates.

Parties: Collectively, the parties to this Agreement (We and You) will be referred to as Parties.

ASSENT & ACCEPTANCE

PLEASE READ THESE TERMS OF USE, OUR PRIVACY POLICY, AND ALL APPLICABLE SUPPLEMENTAL TERMS (COLLECTIVELY, THE “TERMS”) CAREFULLY, AS THEY CONTAIN TERMS AND CONDITIONS THAT IMPACT YOUR RIGHTS, OBLIGATIONS, AND REMEDIES IN CONNECTION WITH YOUR USE OF THE SERVICES AND CONTENT. FOR EXAMPLE, THE TERMS INCLUDE:

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ACCURACY OF INFORMATION

Occasionally there may be information on the website that contains typographical errors, inaccuracies, or omissions that may relate to user descriptions, pricing, availability, promotions, and offers. We reserve the right, in our sole discretion, to make changes or modifications to these Terms and conditions at any time and for any reason. We undertake no obligation to update, amend or clarify information on the website, including, without limitation, pricing information, except as required by law. No specified update or refresh date applied on the website should be taken to indicate that all information on the Website or Services has been modified or updated. Please ensure that you check the applicable Terms every time you use our site so that you understand which Terms apply. You will be subject to and will be deemed to have been made aware of and to have accepted the changes in any revised Terms and conditions by your continued use of the site after the date such revised Terms and conditions are posted.

USER CONTENT

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EXCLUSION OF LIABILITY

You understand and agree that we (A) do not guarantee the accuracy, completeness, validity, or timeliness of information listed by us or any third parties, and (B) shall not be responsible for any materials posted by us or any third party. You shall use your judgment, caution, and common sense in evaluating any prospective methods or offers and any information provided by us or any third party.

Further, we shall not be liable for direct, indirect consequential, or any other form of loss or damage that may be suffered by a user using the countrysongs.levie.com.vn Website, including loss of data or information or any kind of financial or physical loss or damage.

In no event shall countrysongs.levie.com.vn, nor its Owner, directors, employees, partners, agents, suppliers, or affiliates, be accountable for any indirect, incidental, special, eventful, or exemplary costs, including without limitation, loss of proceeds, figures, usage, goodwill, or other intangible losses, consequential from (i) your use or access of or failure to access or use the service; (ii) any conduct or content of any third party on the service; (iii) any content attained from the service; and (iv) unlawful access, use or alteration of your transmissions or content, whether or not based on guarantee, Agreement, domestic wrong (including carelessness) or any other lawful concept, whether or not we’ve been aware of the possibility of such damage, and even if a cure set forth herein is originated to have futile of its important purpose.

MODIFICATION & VARIATION

We may, from time to time and at any time without notice to you, modify this Agreement. You agree that we have the right to modify this Agreement or revise anything contained herein. You further agree that all modifications to this Agreement are in full force and effect immediately upon posting on the website and that modifications or variations will replace any prior version of this Agreement unless prior versions are specifically referred to or incorporated into the latest modification or variation of this Agreement.

NO WARRANTIES

You agree that your use of the Website and Services is at your sole and exclusive risk and that any Services provided by us are on an “As Is” basis. We hereby expressly disclaim any express or implied warranties of any kind, including but not limited to the implied warranty of fitness for a particular purpose and the implied warranty of merchantability. We make no warranties that the Website or Services will meet your needs or that the Website or Services will be uninterrupted, error-free, or secure. We also make no warranties as to the reliability or accuracy of any information on the website or obtained through the Services. You agree that any damage that may occur to you through your computer system or because of the loss of your data from your use of the Website or Services is your sole responsibility and that we are not liable for any such damage or loss.

LIMITATION ON LIABILITY

We are not liable for any damages that may occur to you because of your use of the Website or Services to the fullest extent permitted by law. This section applies to any claims by you, including, but not limited to, lost profits or revenues, consequential or punitive damages, negligence, strict liability, fraud, or torts of any kind.

GOVERNING LAW AND JURISDICTION

This website originates from Morocco. The laws of Morocco. Without regard to its conflict of law, principles will govern these terms to the contrary. You hereby agree that all disputes arising out of or in connection with these terms shall be submitted to the exclusive jurisdiction of Morocco. By using this website, you consent to the jurisdiction and venue of such courts in connection with any action, suit, proceeding, or claim arising under or by reason of these terms. You hereby waive any right to trial by jury arising out of these terms.

SEVERABILITY

If any provision of these Terms and conditions is determined to be unlawful, void, or unenforceable, such provision shall nonetheless be enforceable to the fullest extent permitted by applicable law, and the unenforceable portion shall be deemed to be severed from these Terms and conditions, such determination shall not affect the validity and enforceability of any other remaining provisions.

CONTACTING US

If you would like to contact us to understand more about terms or wish to contact us concerning any matter, you may do so via the contact us or email us.

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Chưa phân loại

At 2:30 One Afternoon, the Traffic Outside Angel Delgadillo’s Barbershop Disappeared Angel Delgadillo remembered the time because a barber learns the rhythm outside his window. Before September 22, 1978, approximately 9,000 vehicles passed daily through Seligman, Arizona, on Route 66. At busy hours, Delgadillo sometimes waited ten or fifteen minutes for a break in traffic before crossing the street. Then Interstate 40 opened around the town. The cars did not gradually thin. They moved to the new highway a few miles away. Delgadillo later recalled that by midafternoon, residents could stand in the old road without needing to step aside. His barbershop depended on travelers, railroad employees and townspeople whose incomes came from the same traffic. Motels, filling stations and restaurants began closing. When the railroad later reduced its Seligman operations, another part of the customer base disappeared. Delgadillo remained behind his chair. During the following years, occasional visitors began finding the old road. They entered the shop carrying memories of family vacations, roadside signs and the slower America they associated with Route 66. Listening while he cut their hair, Delgadillo realized that the abandoned highway still possessed value—but only if travelers could find it. In February 1987, he gathered fifteen business owners to form the Historic Route 66 Association of Arizona. They lobbied for signs and official recognition of the surviving road between Seligman and Kingman. Later that year, Arizona designated the section Historic Route 66. Similar organizations formed elsewhere. What began among merchants trying to keep small businesses alive developed into a preservation movement extending across the old highway’s eight states. Congress later established a Route 66 preservation program within the National Park Service. Delgadillo’s barbershop became a visitor center and gift shop. The chair remained, but travelers now came from around the world to hear how the road had vanished and returned. The interstate had offered speed by removing Seligman from the journey. A barber put the town back on the map by asking drivers to leave the interstate on purpose.

Country Music

Emmylou Harris Returned to the Ryman After the Balcony Had Become Too Dangerous to Use In 1970, Emmylou Harris was serving drinks at the Hi-Hat Lounge near the Ryman Auditorium. Her daughter was an infant. Harris had not yet found a durable place in the music business, and customers sometimes came into the lounge after attending shows at the Ryman. She later remembered thinking that perhaps she would see a performance inside the building someday. Twenty-one years later, she entered through the stage door with a new acoustic band and recording equipment. The Grand Ole Opry had moved away in 1974. Although preservation work had begun on the Ryman’s exterior, the interior remained badly neglected. The balcony was considered unsafe, and no audience member could sit in it or beneath it. Only about 200 people were placed in a narrow section of the lower floor. From April 30 through May 2, 1991, Harris and the Nash Ramblers played three concerts there. The band included Sam Bush, Roy Huskey Jr., Larry Atamanuik, Al Perkins and a young Jon Randall. Instead of building the performances around Harris’s radio hits, they prepared country, bluegrass and folk material that was largely new to their stage set. The conditions shaped the sound. Acoustic instruments moved through a room built before electronic amplification. The empty balcony and unused pews became part of the recording’s air. The musicians could hear why singers had once regarded the Ryman as an instrument of its own. Released in 1992, At the Ryman won a Grammy. More importantly for the building, the album and accompanying film allowed the public to see the old auditorium as a working music room rather than an obsolete shrine. In March 1993, its owner announced a full interior rehabilitation. The Ryman reopened as a concert hall and museum in June 1994. Harris did not restore the building by herself; preservationists, owners, architects and workers carried that responsibility across many years. What she did was place live music back inside before the renovation was certain. The balcony remained empty for those three nights. The room below it proved the building was not finished.

Country Music

Marty Robbins suffered his first major heart attack in August 1969, at forty-three. Five months later, doctors opened his chest for coronary bypass surgery, a procedure still new enough that survival could not be treated as routine. Between those two events, Robbins recorded “My Woman, My Woman, My Wife.” The woman was Marizona Baldwin, whom he had married in 1948. She had known him before “El Paso,” the Grand Ole Opry, television shows and the stock cars he drove at speeds few heart patients would have considered sensible. By 1969, they had been married for more than twenty years and had raised two children. Robbins later connected the song to his hospitalization, saying the experience showed him what a woman endured across a shared life. Over time, the story hardened into the image of him writing the entire lyric from a hospital bed. His biographer found evidence that the song existed earlier and was likely refined during his illness. Robbins himself once told Ralph Emery that he had written it on a bus. The less cinematic truth carries more weight. The heart attack did not necessarily create the song. It changed what Robbins understood himself to be saying. He recorded it on January 2, 1970. On January 27, surgeons operated on his blocked coronary arteries. He recovered quickly enough to receive an Academy of Country Music award three months later and returned to NASCAR competition that October. “My Woman, My Woman, My Wife” reached No. 1 and earned Robbins the Grammy for Best Country Song. Its language belonged to an older style of marriage, but its gratitude was specific: a restless man acknowledging the person who had absorbed the consequences of his restlessness. Robbins would live with heart disease for the remainder of his life. He kept touring, recording and racing until shortly before his death in 1982. The song survived as a love letter to Marizona. It did not need to have been born beside a hospital bed. The man who carried it into the studio already knew the words. The failing heart taught him how little time he might have left to mean them.

Country Music

WHEN WILLIE NELSON’S CHILDHOOD CHURCH WAS PUT UP FOR SALE, AN OLD FRIEND CALLED HIM In 2006, only a handful of worshippers remained inside the small Methodist church in Abbott, Texas. The denomination decided to close it. The white wooden building where Willie Nelson and his sister Bobbie had sung as children was placed on the market and could have been moved away for use as a wedding chapel. A longtime Abbott resident named Bernice Pope heard what was happening and contacted Don Reed, one of Willie’s oldest friends. Reed called Willie. Willie’s instruction was brief: make an offer. He purchased the church and entrusted Reed with keeping it open. This was not intended to become a Willie Nelson museum or another performance property. Willie wanted it to remain a church for the town that had raised him. The building contained some of his earliest musical education. Willie and Bobbie had been raised by their grandparents, who brought them to services and encouraged their music. Bobbie played the church piano. Willie sang hymns, learned guitar and absorbed songs long before Nashville knew either sibling’s name. The reopened church was celebrated with a Sunday service in July 2006. Willie stood beside Bobbie’s piano, joined by family, friends and Leon Russell. They sang “Uncloudy Day,” “I’ll Fly Away,” “Will the Circle Be Unbroken” and “Precious Memories.” After the famous visitors left, the building returned to smaller work. Don and Joyce Reed cared for the property. Services continued. The church helped support scholarships for local students. Management later passed to another caretaker chosen before Reed’s death. Willie also bought Abbott’s old cash grocery around the same time because he did not want the town to lose its store. Neither purchase could reverse every force emptying small American communities. They kept two doors from closing. Years later, Willie and Bobbie returned to the sanctuary and performed “Family Bible” around the piano. By then they had played stages across the world. In Abbott, the room still asked only that Bobbie sit down and Willie stand beside her.